About this item
The #1 bestselling illustrator of Matt de la Pena's Love and the creator of Otis presents an homage to firefighters everywhere - and to the many boys and girls who dream big of being heroes!On the farm where Otis the tractor lives, it hasn't rained in a long time and farmers all over the valley have grown anxious with water in such short supply. One hot afternoon, when Otis and his friends are resting beneath the shade of the apple tree, Otis spots something moving down in the valley - an orange tabby cat headed straight for the old barn. But then Otis sees something else that causes his engine to sputter . . . a swirl of smoke coming from the same barn. A fire!As Otis races toward the fire with his friends in tow, he spots the tabby cat mewing in alarm. Otis rushes inside to discover the source of the cat's worries--her little kittens are perched up on the hayloft, scared. Otis never hesitates. Yet even after he delivers a tractor full of kittens safely outside, their mama remains upset. Re-entering the burning barn, Otis discovers why: one tiny kitten, still too scared to move. With a friendly chuff, Otis coaxes her down and she scampers out the door. That's when the floor collapses with a CRASH, trapping the tractor. Now Otis, the friend everyone can count on, must count on his friends.Told with a sense of play and devotion, this is a heartwarming tale that reminds readers that sometimes even those who we count on to help us need a little help themselves. From the creator of Otis, Otis and the Puppy, and the illustrator of The Little Engine That Could and Of Thee I Sing by President Barack Obama.Praise for Otis and the Kittens* "As always, perseverance, teamwork, and a heart of gold pay off for Otis and his friends. When read aloud, the text flows off the tongue with sounds and words that extend the imagery created in the attractive gouache and pencil illustrations. The compositions make great use of perspective and motion and are expertly laid out . . . There are wonderful textured details that bring the story to life. [T]he perfect lapsit read-aloud, combining the ever-popular subjects of tractors, farm animals, and firefighters."--School Library Journal, STARRED REVIEW"Long's seventh bucolic tale of an antique tractor with a smiling face and a good heart will please the little chuffer's many fans. The dynamic, fluid illustrations with a retro-rural vibe bring to mind Norman Rockwell's America with a Saturday comics spin. The theme of teamwork played out several times through the tale is communicated as simply as the tale itself. Keep on puffin', Otis!"--Kirkus Reviews"Long creates a powerful sense of suspense and danger as charcoal smoke gathers in the sky and bright flames lick the beams of the barn as Otis goes to work, but bravery, loyalty, and gritty determination are the real stars of the story - traits that Otis and his animal friends have in ample supply."--Publishers Weekly
About the Author
I have always been a huge fan of the the American School painters of the 1920s and '30s and I was particularly inspired by Thomas Hart Benton and Grant Wood. I am also drawn to the Works Progress Administration (WPA) muralists. Many of these artists were from the Midwest, like me, and I felt a connection to them. They were storytellers.That's what I like to do - tell stories. When I plan out the illustrations for a book, I pretend I'm making a movie. The words are like a screenplay and I'm choosing which scenes to bring to life.Before THE LITTLE ENGINE THAT COULD I never viewed myself as someone who would paint trains with eyeballs and cute little purple elephants. I began realizing who my audience is: little children who would actually be holding one of my books. I thought hard about the books I loved from my own childhood. THE LITTLE ENGINE THAT COULD was always one of my favorites, as was THE POKY LITTLE PUPPY, THE STORY OF FERDINAND and Virginia Lee Burton's books. I began thinking about creating books that, like these, might someday become a child's favorite. This is where the idea for OTIS started.I approach both writing and illustrating enthusiastically. If I'm going to illustrate a manuscript that someone else has written, it's got to be something that I love. I have to love a story enough to do it and make it mine. I hope that doesn't sound overly egotistical. But I feel that the book becomes as much mine as the author's, and as much the author's as mine.For about a dozen years after getting out of school, I did illustrations for greeting cards, theater posters and magazines. But you never meet your audience when you do a picture for a magazine and it's not really the product - you're just decorating the product. In book publishing, on the other hand, the book is the product. After illustrating my first book, I knew I loved children's publishing right away. I discovered that people cared - teachers, librarians, booksellers and kids. And I got to meet my audience.This is what I want to do for the rest of my life.I'm honored that several books that I've illustrated have received awards. Angela Johnson's I DREAM OF TRAINS won the Society of Childrens' Book Writers and Illustrators' Golden Kite Award for picture book illustration. TOY BOAT by Randall DeSeve was awarded the 2007 Publisher's Weekly Cuffie Award for Favorite Picture Book of the Year and the 2008 Great Lakes Book Award for Children's Picture Book. Walt Whitman's WHEN I HEARD THE LEARN'D ASTRONOMER was a Golden Kite Honor Book and also won the 2004 Parents' Choice Gold Award. I've also received two gold medals from the Society of Illustrators.I live in Cincinnati with my wife and two boys, and two Weimaraners. If you'd like to learn more about my books, you can visit me at www.lorenlong.com.
