About this item
A stunningly heartfelt ode to the challenges of growing up and letting go, as poignant for parents as for their kids, from the creator of Otis the tractor and illustrator of The Little Engine that Could."Long's gentle but powerful story about a young tree who holds tight to his leaves, even as everyone else lets theirs drop, takes on nothing less than the pain and sorrow of growing up. . . . As in Long's unaccountably profound books about Otis the tractor, a pure white background somehow adds to the depth." - The New York Times Book Review In the middle of a little forest, there lives a Little Tree who loves his life and the splendid leaves that keep him cool in the heat of long summer days. Life is perfect just the way it is. Autumn arrives, and with it the cool winds that ruffle Little Tree's leaves. One by one the other trees drop their leaves, facing the cold of winter head on. But not Little Tree - he hugs his leaves as tightly as he can. Year after year Little Tree remains unchanged, despite words of encouragement from a squirrel, a fawn, and a fox, his leaves having long since turned brown and withered. As Little Tree sits in the shadow of the other trees, now grown sturdy and tall as though to touch the sun, he remembers when they were all the same size. And he knows he has an important decision to make.From #1 New York Times bestselling Loren Long comes a gorgeously-illustrated story that challenges each of us to have the courage to let go and to reach for the sun.Praise for Little Tree* "The illustrations are beautifully rendered . . . Understated and inviting, young readers will be entranced by Little Tree's difficult but ultimately rewarding journey." - BOOKLIST , starred review"Long's gentle but powerful story about a young tree who holds tight to his leaves, even as everyone else lets theirs drop, takes on nothing less than the pain and sorrow of growing up. Season after season, Little Tree clings to his brown-leaved self until he can take a leap and shed his protection. He feels 'the harsh cold of winter,' but soon grows tall and green, and it's not bad at all. As in Long's unaccountably profound books about Otis the tractor, a pure white background somehow adds to the depth." - The New York Times Book Review* "[Long's] willingness to take his time and even test the audience's patience with his arboreal hero's intransigence results in an ending that's both a big relief and an authentic triumph. Long's earnest-eloquent narrative voice and distilled, single-plane drawings, both reminiscent of an allegorical pageant, acknowledge the reality of the struggle while offering the promise of brighter days ahead." - Publishers Weekly, starred review"Long is sparing with the text, keeping it simple and beautifully descriptive. Brilliantly colored illustrations done in acrylic, ink, and pencil stand out on bright white pages, with Little Tree taking the center position in each double-page spread. Tender and gentle and altogether lovely." - Kirkus Reviews"Children will see the tree facing the scariness of change; adult readers may well feel wistful as the story underscores the need to let their babies grow toward independence. Beautiful. Grade: A" - Cleveland Plain Dealer
About the Author
I have always been a huge fan of the the American School painters of the 1920s and '30s and I was particularly inspired by Thomas Hart Benton and Grant Wood. I am also drawn to the Works Progress Administration (WPA) muralists. Many of these artists were from the Midwest, like me, and I felt a connection to them. They were storytellers.That's what I like to do - tell stories. When I plan out the illustrations for a book, I pretend I'm making a movie. The words are like a screenplay and I'm choosing which scenes to bring to life.Before THE LITTLE ENGINE THAT COULD I never viewed myself as someone who would paint trains with eyeballs and cute little purple elephants. I began realizing who my audience is: little children who would actually be holding one of my books. I thought hard about the books I loved from my own childhood. THE LITTLE ENGINE THAT COULD was always one of my favorites, as was THE POKY LITTLE PUPPY, THE STORY OF FERDINAND and Virginia Lee Burton's books. I began thinking about creating books that, like these, might someday become a child's favorite. This is where the idea for OTIS started.I approach both writing and illustrating enthusiastically. If I'm going to illustrate a manuscript that someone else has written, it's got to be something that I love. I have to love a story enough to do it and make it mine. I hope that doesn't sound overly egotistical. But I feel that the book becomes as much mine as the author's, and as much the author's as mine.For about a dozen years after getting out of school, I did illustrations for greeting cards, theater posters and magazines. But you never meet your audience when you do a picture for a magazine and it's not really the product - you're just decorating the product. In book publishing, on the other hand, the book is the product. After illustrating my first book, I knew I loved children's publishing right away. I discovered that people cared - teachers, librarians, booksellers and kids. And I got to meet my audience.This is what I want to do for the rest of my life.I'm honored that several books that I've illustrated have received awards. Angela Johnson's I DREAM OF TRAINS won the Society of Childrens' Book Writers and Illustrators' Golden Kite Award for picture book illustration. TOY BOAT by Randall DeSeve was awarded the 2007 Publisher's Weekly Cuffie Award for Favorite Picture Book of the Year and the 2008 Great Lakes Book Award for Children's Picture Book. Walt Whitman's WHEN I HEARD THE LEARN'D ASTRONOMER was a Golden Kite Honor Book and also won the 2004 Parents' Choice Gold Award. I've also received two gold medals from the Society of Illustrators.I live in Cincinnati with my wife and two boys, and two Weimaraners. If you'd like to learn more about my books, you can visit me at www.lorenlong.com.
