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A bold new approach to writing (and reading) poetry based on great poetry of the past.

Quick, joyful, and playfully astringent, with surprising comparisons and examples, this collection takes an unconventional approach to the art of poetry. Instead of rules, theories, or recipes, Singing School emphasizes ways to learn from great work: studying magnificent, monumentally enduring poems and how they are made -- in terms borrowed from the "singing school" of William Butler Yeats's "Sailing to Byzantium."

Robert Pinsky's headnotes for each of the 80 poems and his brief introductions to each section take a writer's view of specific works: William Carlos Williams's "Fine Work with Pitch and Copper" for intense verbal music; Emily Dickinson's "Because I Could Not Stop for Death" for wild imagination in matter-of-fact language; Robert Southwell's "The Burning Babe" for surrealist aplomb; Wallace Stevens's "The House Was Quiet and the World Was Calm" for subtlety in meter. Included are poems by Aphra Behn, Allen Ginsberg, George Herbert, John Keats, Mina Loy, Thomas Nashe, and many other master poets.

This anthology respects poetry's mysteries in two senses of the word: techniques of craft and strokes of the inexplicable.



About the Author

Robert Pinsky

Robert Pinsky is an American poet, essayist, literary critic, and translator. From 1997 to 2000, he served as Poet Laureate Consultant in Poetry to the Library of Congress. Pinsky is the author of nineteen books, most of which are collections of his own poetry. His published work also includes critically acclaimed translations, including The Inferno of Dante Alighieri and The Separate Notebooks by Czes?aw Mi?osz. He teaches at Boston University and is the poetry editor at Slate.



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