About this item
Science fiction icon Connie Willis brilliantly mixes a speculative plot, the wit of Nora Ephron, and the comedic flair of P. G. Wodehouse in Crosstalk - a genre-bending novel that pushes social media, smartphone technology, and twenty-four-hour availability to hilarious and chilling extremes as one young woman abruptly finds herself with way more connectivity than she ever desired.NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR In the not-too-distant future, a simple outpatient procedure to increase empathy between romantic partners has become all the rage. And Briddey Flannigan is delighted when her boyfriend, Trent, suggests undergoing the operation prior to a marriage proposal - to enjoy better emotional connection and a perfect relationship with complete communication and understanding. But things don't quite work out as planned, and Briddey finds herself connected to someone else entirely - in a way far beyond what she signed up for. It is almost more than she can handle - especially when the stress of managing her all-too-eager-to-communicate-at-all-times family is already burdening her brain. But that's only the beginning. As things go from bad to worse, she begins to see the dark side of too much information, and to realize that love - and communication - are far more complicated than she ever imagined.Praise for Crosstalk"A rollicking send-up of obsessive cell phone usage in too-near-future America . . . [Connie] Willis's canny incorporation of scientific lore, and a riotous cast . . . make for an engaging girl-finally-finds-right-boy story that's unveiled with tact and humor. Willis juxtaposes glimpses of claimed historical telepaths with important reflections about the ubiquity of cell phones and the menace that unscrupulous developers of technology pose to privacy, morality, and emotional stability." - Publishers Weekly "Think smart phones and social media are threatening privacy Imagine if you could hear everyone's thoughts - and they could hear yours. [Willis is] a master of door-slapping, hide-behind-the-furniture farce . . . but mostly it's a critique of modern society and an unsurprising metaphor for the perils and joys of human connection. In other hands this novel could have been mere clich, but Willis' exuberant humor and warmhearted, fast-paced plotting transform it." - Kirkus Reviews Praise for Connie Willis "A novelist who can plot like Agatha Christie and whose books possess a bounce and stylishness that Preston Sturges might envy." - The Washington Post "If anyone can be named 'best science fiction writer of the age,' it's Connie Willis." - Analog "One of America's finest writers . . . Willis can tell a story so packed with thrills, comedy, drama and a bit of red herring that the result is apt to satisfy the most discriminating, and hungry, reader." - The Denver Post "Willis can tell a story like no other. . . . One of her specialties is sparkling, rapid-fire dialogue; another, suspenseful plotting; and yet another, dramatic scenes so fierce that they burn like after-images in the reader's memory." - The Village Voice "The Best of Connie Willis Isn't that like sorting through diamonds" - Lytherus
About the Author
Constance Elaine Trimmer Willis is an American science fiction writer. She is one of the most honored science fiction writers of the 1980s and 1990s. She has won, among other awards, ten Hugo Awards and six Nebula Awards. Willis most recently won a Hugo Award for All Seated on the Ground (August 2008) . She was the 2011 recipient of the Damon Knight Memorial Grand Master Award from the Science Fiction Writers of America (SFWA) .She lives in Greeley, Colorado with her husband Courtney Willis, a professor of physics at the University of Northern Colorado. She also has one daughter, Cordelia. Willis is known for her accessible prose and likable characters. She has written several pieces involving time travel by history students and faculty of the future University of Oxford. These pieces include her Hugo Award-winning novels and and the short story "Fire Watch," found in the short story collection of the same name. Willis tends to the comedy of manners style of writing. Her protagonists are typically beset by single-minded people pursuing illogical agendas, such as attempting to organize a bell-ringing session in the middle of a deadly epidemic () , or frustrating efforts to analyze near-death experiences by putting words in the mouths of interviewees (
