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Few authors have had careers as successful as that of Connie Willis. Inducted into the Science Fiction Hall of Fame and recently awarded the title of Grand Master by the Science Fiction and Fantasy Writers of America, Willis is still going strong. Her smart, heartfelt fiction runs the gamut from screwball comedy to profound tragedy, combining dazzling plot twists, cutting-edge science, and unforgettable characters.   From a near future mourning the extinction of dogs to an alternate history in which invading aliens were defeated by none other than Emily Dickinson; from a madcap convention of bumbling quantum physicists in Hollywood to a London whose Underground has become a storehouse of intangible memories both foul and fair—here are the greatest stories of one of the greatest writers working in any genre today.



About the Author

Connie Willis

Constance Elaine Trimmer Willis is an American science fiction writer. She is one of the most honored science fiction writers of the 1980s and 1990s. She has won, among other awards, ten Hugo Awards and six Nebula Awards. Willis most recently won a Hugo Award for All Seated on the Ground (August 2008) . She was the 2011 recipient of the Damon Knight Memorial Grand Master Award from the Science Fiction Writers of America (SFWA) .She lives in Greeley, Colorado with her husband Courtney Willis, a professor of physics at the University of Northern Colorado. She also has one daughter, Cordelia. Willis is known for her accessible prose and likable characters. She has written several pieces involving time travel by history students and faculty of the future University of Oxford. These pieces include her Hugo Award-winning novels and and the short story "Fire Watch," found in the short story collection of the same name. Willis tends to the comedy of manners style of writing. Her protagonists are typically beset by single-minded people pursuing illogical agendas, such as attempting to organize a bell-ringing session in the middle of a deadly epidemic () , or frustrating efforts to analyze near-death experiences by putting words in the mouths of interviewees (



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