About this item

On May 27th, 1784, Wolfgang Amadeus Mozart met a flirtatious little starling in a Viennese shop who sang an improvised version of the theme from his Piano Concerto no. 17 in G major. Sensing a kindred spirit in the plucky young bird, Mozart bought him and took him home to be a family pet. For three years, the starling lived with Mozart, influencing his work and serving as his companion, distraction, consolation, and muse.



About the Author

Lyanda Lynn Haupt

Lyanda Lynn Haupt is a naturalist, eco-philosopher, and speaker whose writing is at the forefront of the movement to connect people with nature in their everyday lives. Her newest book is Mozart's Starling.

She is the author several books, including The Urban Bestiary; Crow Planet, which won the 2010 Sigurd F. Olson Nature Writing Award; Pilgrim on the Great Bird Continent; and Rare Encounters with Ordinary Birds, winner of the Washington State Book Award.

Lyanda lives in Seattle with her husband, teenage daughter, cat, four chickens, and Carmen the starling, who features in her latest book. She is available for keynotes and speaking engagements on the themes she addresses in her writing, as well as book readings and signings, and classes about writing creative non-fiction. Upcoming events are listed on her website at LyandaLynnHaupt.com

Praise for The Urban Bestiary:
"The challenge of our time is the movement from rural villages to big cities where nature seems gone. Haupt's brilliant book restores nature in our lives and uplifts that relationship with stories full of wonder, awe and love." (David Suzuki, author of The Sacred Balance: Rediscovering Our Place in Nature)

Praise for Crow Planet:
"A completely charming and informative book on the pleasures of keeping one's eyes open." (David Sedaris)

"In a lyrical narrative that blends science and conscience, Haupt mourns the encroachments of urbanization, but cherishes the wildness that survives." (New York Times)

"An inspired meditation on our own place in nature....You will never again look at crows in the same way again." (Washington Post)



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