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WINNER OF THE NATIONAL BOOK AWARD
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation. Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-Second Street, and eventually to the celebrated round table of Maxs Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous, the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years.Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists ascent, a prelude to fame.
About the Author
Patti Smith is considered a poet whose energy and vision found its voice in the most powerful medium of our culture, music. As one of the early pioneers of New York City’s dynamic punk scene, she has been creating her unique blend of poetic rock and roll for over 35 years. She was born in Chicago in 1946, the eldest of four siblings and was raised in South Jersey. From an early age, she gravitated toward the arts and human rights issues. She studied at Glassboro State Teachers College and migrated to New York City in 1967. She teamed up with art student Robert Mapplethorpe and the two encouraged each other’s work process, pursuing painting and drawing while she focused on poetry.In February 1971, Smith had her first public reading at St. Mark’s Church on the Lower East Side, accompanied by Lenny Kaye on guitar. That same year she co-wrote and performed the play Cowboy Mouth with playwright Sam Shepard. Continuing to write and perform her poetry around New York, including at the legendary Max’s Kansas City, Patti Smith and Lenny Kaye combined their collective and varied musical roots and her improvised poetry. The independent single release, Hey Joe/ Piss Factory, featured Tom Verlaine. The trio helped to open up a restricted music scene that centered on CBGB’s in New York City. After recruiting guitarist Ivan Kral, they played CBGB’s for eight weeks in the spring of 1975 and then added drummer Jay Dee Daugherty. Smith described their work as ‘‘three chords merged with the power of the word.’’ Smith was signed by Clive Davis to his fledgling Arista label and recorded four albums: Horses (produced by John Cale), Radio Ethiopia (produced by Jack Douglas), Easter (produced by Jimmy Iovine), which included her top twenty hit Because the Night, co-written with Bruce Springsteen, and Wave (produced by Todd Rundgren).In October 1979, Smith retired from the public eye and moved to Detroit with Fred ‘‘Sonic’’ Smith. In 1980, they married, had two children and wrote songs together with no regret for the self imposed exile from show business. In 1988, they recorded Dream of Life (produced by Fred ‘‘Sonic’’ Smith and Jimmy Iovine) that included the classic anthem, People Have the Power, which the two wrote while she did the dinner dishes. It combined his White Panther polemics with her revolutionary spirit. It also marked her final collaboration with three of her closest companions, all who met with untimely deaths; Robert Mapplethorpe, who photographed her for the cover; Richard Sohl, who provided all of the keyboards; and her husband, Fred ‘‘Sonic’’ Smith who had composed the music.In the summer of 1995, with the help of old and new friends, Smith released Gone Again (produced by Malcolm Burn and Lenny Kaye), a highly acclaimed meditation on passage and mortality. In touring the album, opening for Bob Dylan, it also marked her
