About this item
From New York Times bestselling author of the acclaimed McCabe and Savage series comes an electrifying new thriller of taut and twisted suspense.On a freezing December night, Hannah Reindel leaps to her death from an old railway bridge into the rushing waters of the river below. Yet the real cause of death was trauma suffered twelve years earlier when Hannah was plucked from a crowd of freshman girls at a college fraternity party, drugged, and then viciously assaulted by six members of the college football team. Those responsible have never faced or feared justice. Until now. A month after Hannah's death, Joshua Thorne - former Holden College quarterback and now a Wall Street millionaire - is found murdered, his body bound to a bed and brutally mutilated. When a second attacker dies in mysterious circumstances, detectives Mike McCabe and Maggie Savage know they must find the killer before more of Hannah's attackers are executed. But they soon realize, these murders may not be simple acts of revenge, but something far more sinister. The Girl on the Bridge is a compelling and harrowing tale of suspense that once read will not easily be forgotten.
About the Author
Like one of the heroes of my thrillers, Detective Sergeant Mike McCabe, I'm a native New Yorker. McCabe was born in the Bronx. I was born in Brooklyn. And we both grew up and spent much of our working lives in the New York City before eventually moving to Portland, Maine. However that's where the similarities end. McCabe, after spending a couple of years at NYU Film School, dropped out and decided to join the family business and become a cop first for the NYPD and then for the Portland PD. For my part, I graduated from Brown University without having any idea whatsoever of what I wanted to do. All I knew was that the one salable skill I thought I possessed was the ability of dreaming things up and writing them down. After looking around I realized the only companies I could think of that would pay me to do both were on Madison Avenue. I joined a major New York advertising agency as a cub copywriter. Over the next few years I drifted to a couple of other agencies and finally settled in as a senior creative director at the agency I considered the best of the lot. I thoroughly enjoyed the ad business and was good at it. I was well paid and spent my days dreaming up sometimes weird, sometimes funny, sometimes dopey ideas for mostly TV ad campaigns. But before I knew it, more than 30 years had passed, my hair had turned from dark brown to silvery gray and I began to realize that Madison Avenue, like the Texas/Mexico border in Cormac McCarthy's great thriller, was No Country for Old Men. My wife and I decided to pull up stakes and move full-time to a house we'd built right on the ocean on an island a mile and a half from the city of Portland. Up in Maine I spent a couple of years writing freelance marketing pieces. But in 2005 I decided that if I didn't start writing the suspense thriller I'd been itching to write for years, I probably never would. My first effort which I called told the tale of an villainous surgeon who killed people to steal their hearts for use in illegal transplants. It took me nearly two years to write. But I stuck with it and when I'd finally finished with writing, polishing, editing and reediting I started looking for an agent. Wanting to shoot for the stars, I sent the manuscript and a cover letter to one of the top agents in the business, Meg Ruley of the Jane Rotrosen Agency in New York. Meg represented such top best selling thriller writers as Tess Gerritsen, Lisa Gardner and Michael Palmer among others. Sending the book to Meg first was kind of a Hail Mary play on my part. Hail Mary's rarely work so a little more than a week later I was stunned when Meg called me in the UK where my wife and I were vacationing and after telling me she how much she liked the book, she asked "Have you sent this to any other agents?""Nope. None," I replied. "You were the first.""Well don't send it anyone else," she said. "I'd like to represent
