About this item

A stunning photographic compilation showcasing Audrey Hepburn's iconic career in the 1950s - the decade that solidified her place as one of the world's greatest stars in film and fashion.Devoted to her most influential decade, Audrey: The 50s brings together in one volume the allure and elegance that made Audrey Hepburn the most iconic figure in modern fashion history. Photographed during the early days of her career, both on the sets of Roman Holiday, Sabrina, Funny Face, and other classic films, and in fashion photo shoots by top photographers who adored and immortalized her, these beautiful black-and-white and color images radiate with Audrey's waifish charm, ethereal beauty, and effortless style.Renowned author, curator and photographic preservationist David Wills has carefully selected this collection of two hundred museum-quality photos that capture Audrey in her prime as never before.



About the Author

David Wills

Australian-born David Wills is an author, independent curator, photographic preservationist, and photo editor who has accrued one of the world's largest independent archives of original photographs, negatives, and transparencies.

Wills's books include ARA GALLANT (2010, introduction by Anjelica Huston) ; MARILYN MONROE: METAMORPHOSIS (2011) ; AUDREY: THE 60s (2012) ; HOLLYWOOD IN KODACHROME (2013, foreword by Rhonda Fleming) ; SEVENTIES GLAMOUR (2014, foreword by Paul Morrissey) ; MARILYN: IN THE FLASH (2015, foreword by Robert Wagner) ; THE CINEMATIC LEGACY OF FRANK SINATRA (2016, contributing essays by Nancy Sinatra, Tina Sinatra, and Frank Sinatra, Jr.) ; AUDREY: THE 50s (2016) ; SWITCHED ON: WOMEN WHO REVOLUTIONIZED STYLE IN THE 60s (2017, foreword by Betsey Johnson, afterword by Dame Mary Quant) ; VEGAS GOLD (2017, foreword by Wayne Newton, afterwords by Donny Osmond and Marie Osmond) ; and HOLLYWOOD BEACH BEAUTIES (2018) . He is also the coauthor of VERUSCHKA (2008) .

Wills has produced a series of photography exhibitions based on images from his archive, including Murder, Models, Madness: Photographs from the Motion Picture "Blow-Up"; and Warhology. He has contributed material to many publications and museums, including the Museum of Modern Art, the Metropolitan Museum of Art, the Palm Springs Art Museum, the Phoenix Art Museum, and the Academy of Motion Picture Arts and Sciences.

His books and exhibitions have received major profiles in the Los Angeles Times, the New York Times, Vanity Fair, American Photo, Vogue, Harper's Bazaar, Interview, and Time. He has also written articles on photography and popular culture for publications including the Huffington Post, V Magazine, and Palm Springs Life.



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