About this item
Middle school meets Mission: Impossible in the second hilarious adventure of a girl whose life is turned upside down when her long-lost father recruits her to be a superspy.When the top-secret spy agency that recruited Bridget turns out to be a fake, Bridget hopes her superspy father will teach her his tricks, stealth codes, and martial-arts moves (WRONG!) . Instead of drop-kicking evil villains and shooting laser beams from her lip gloss, he wants to bond over normal (aka BORING!) stuff like TV, fro yo, and boy talk. But when Bridget gets framed for stealing cheerleading secrets and ruining the most glamorous party of the birthday season, her spy instincts kick in: she's being set up. And when her spy dad goes missing, Bridget knows she's the only one who can bring him back alive - official spy or not.Now Bridget's back in the spy game and on a plane headed straight to New York City with her best friend by her side and a crafty nanomarble sidekick that does everything from hacking phones to taking down the fiercest enemy agents. Can Bridget ditch her annoying older brother/chaperone, squash a budding crush, and prevent global disaster before her mom texts to check in? Or are Bridget's days as a spy over - for good?It is no secret - Bridget Wilder: Spy to the Rescue is part of an explosive new series packed with humor, high-tech gadgets, and best of all: girl power.
About the Author
Hi,
I am Jonathan Bernstein. Not the crisis management expert. Not the guy who writes about helicopters. Or the one who knows about sector trading. Or any of the other ones that come up when you--or,more likely, I--look for Jonathan Bernstein. Not that I'm insulted when any of their names pop up. It gives me a second of feeling like an intelligent accomplished person of experience and ability. And then I look at my own list of published works and that feeling swiftly evaporates.
I am of little help in a crisis. Unless it's a crisis involving obscure 80s teen movies.I wrote a book about that called Pretty In Pink: The Golden Age of Teenage Movies. So my credentials are pretty good in that arena. Or if it's a problem to do with teenage superheroes who shoot fire from their fingers when they're upset. I've written two novels about that very subject. One called Hottie, the other, it's sequel Burning Ambition.
My new book, Bridget Wilder: Spy-In-Training--the first in a trilogy, so there's a good chance she'll be done with her training before long-- coms out this September. It's about an unnoticed, underestimated 13 year-old girl who finds out that her biological father is a legendary spy of international renown and fearsome reputation. She also finds out that her existence is as much of a shock to him as his is to her. He wants to get to know his daughter and decides the best way to do that is to get her involved with the family business, i.e: spying. He kits her out with all manner of cool gadgets and weapons that make her super-fast and agile, that give her the ability to decry when people are lying, and that allow her to shoot laser beams from a tune of lip balm. Bridget displays a real aptitude for spying. Which is good news because she's about be plunged into a world where no one is what they seem and nothing anyone says or does can be trusted.
Currently, I'm co-author, along with my friend Lori Majewski, of the book Mad World: An Oral History Of The New Wave Artists And Songs That Defined The 1980s. That's a laborious subtitle. But it's not a laborious book. It features interviews with a whole platoon of the biggest stars of the last great period of pop music: the 1980s.
Mad World features chapters on Adam & The Ants, Duran Duran, Depeche Mode New Order, The Smiths, Echo & The Bunnymen, OMD, ABC, Bow Wow Wow, Thomas Dolby, INXS, Simple Minds, Dexys Midnight Runners, Thompson Twins, Berlin, Modern English, Howard Jones, Heaven 17 and a lot more.
I started writing about music at the end of the eighties for magazines like The Face and Blitz. I went on to work at Spin and have contributed to publications like Entertainment Weekly, Rolling Stone, The Guardian, The Telegraph and Interview.
I also had a hand in writing screenplays for such modern classics as Jackie Chan's The Spy Next Door, Just My Luck starrin
