About this item

An impassioned call for a return to reading poetry and an incisive argument for poetry's accessibility to all readers, by critically acclaimed poet Matthew ZapruderIn Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry - and poetry alone - can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, "possess the origin of all poems," without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder's personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.



About the Author

Matthew Zapruder

Matthew Zapruder is the author of five collections of poetry, including Come On All You Ghosts, a New York Times Notable Book of the Year, and Father's Day (Copper Canyon, 2019) , as well as Why Poetry, a book of prose. He has received a Guggenheim Fellowship, a William Carlos Williams Award, a May Sarton Award from the Academy of American Arts and Sciences, and a Lannan Foundation Residency Fellowship in Marfa, TX. His poetry has been adapted and performed at Carnegie Hall by Composer Gabriel Kahane and Brooklyn Rider, and was the libretto for Vespers for a New Dark Age, a piece by composer Missy Mazzoli commissioned by Carnegie Hall for the 2014 Ecstatic Music Festival. In 2000, he co-founded Verse Press, and is now editor at large at Wave Books, where he edits contemporary poetry, prose, and translations. He was the founding Director of the Bagley Wright Lecture Series. From 2016-7 he held the annually rotating position of Editor of the Poetry Column for the New York Times Magazine. He lives in the San Francisco Bay Area, where he is an Associate Professor at Saint Mary's College of California.



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