About this item
Library JournalViolet Redmond had been humored for so long by her family, especially by her brothers, that she considers her bored yet intemperate behavior to be acceptable. Her elder brother Lyon had disappeared from their midst a year ago, something to do with that awful Olivia Eversea. Violet overhears sea captain Asher Flint, the newly minted Earl of Ardmay, discussing his search for a pirate called Le Chat and decides the miscreant is her missing sibling (Lyon = lion = big cat). She impetuously stows away on Flint's ship, and when he discovers his surprise "guest," Flint thinks the unbridled Lady Violet needs disciplining. Or does he find her determination and constancy regarding her brother's innocence more appealing than annoying?Verdict The talented Long (Like No Other Lover) adds to her Redmond/Eversea series with this lushly written story of two strong, steadfast individuals in opposition as they navigate rough waters to finding the truth yet hesitant to acknowledge its repercussions.
About the Author
Well, where should I start? I've lived in San Francisco for more than a decade, usually with at least one cat. I won the school spelling bee when I was in 7th grade; the word that clinched it was 'ukulele. ' I originally set out to be a rock star when I grew up (I had a Bono fixation, but who didn't? ) , and I have the guitars and the questionable wardrobe stuffed in the back of my closet to prove it. But writing was always my first love. I was editor of my elementary school paper (believe it or not, Mrs. Little's fifth grade class at Glenmoor Elementary did have one) ; my high school paper (along with my best high school bud, Cindy Jorgenson) ; and my college paper, where our long-suffering typesetter finally forced me to learn how to typeset because my articles were usually late (and thus I probably have him to thank for all the desktop publishing jobs that ensued over the years) .Won a couple of random awards along the way: the Bank of America English Award in High School (which basically just amounted to a fancy plaque saying that I was really, really good at English) ; and an award for best Sports Feature article in a College Newspaper (and anyone who knows me well understands how deeply ironic that is) . I began my academic career as a Journalism major; I switched to Creative Writing, which was a more comfortable fit for my freewheeling imagination and overdeveloped sense of whimsy. I dreamed of being a novelist. But most of us, I think, tend to take for granted the things that come easily to us. I loved writing and all indications were that I was pretty good at it, but I, thank you very much, wanted to be a rock star. Which turned out to be ever-so-slightly harder to do than writing. A lot more equipment was involved, that's for sure. Heavy things, with knobs. It also involved late nights, fetid, graffiti-sprayed practice rooms, gorgeous flakey boys, bizarre gigs, in-fighting - what's not to love? But my dream of being a published writer never faded. When the charm (ahem) of playing to four people in a tiny club at midnight on a Wednesday finally wore thin, however, I realized I could incorporate all the best things about being in a band - namely, drama, passion, and men with unruly hair - into novels, while at the same time indulging my love of history and research. So I wrote The Runaway Duke, sent it to a literary agent (see the story here) , who sold it to Warner Books a few months after that. ..which made 2003 one of the most extraordinary, head-spinning years I've ever had. Why romance? Well, like most people, I read across many genres, but I've been an avid romance reader since I got in trouble for sneaking a Rosemary Rogers novel out of my mom's nightstand drawer (I think it was Sweet Savage Love) . Rosemary Rogers, Kathleen Woodiwiss, Laurie McBain...I cut my romance teeth on those ladies. And in general, I take a visceral sort of pleasure in creating a hero and
