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British director John Doyle found an unusual and different way of staging Stephen Sondheim's musical Sweeney Todd, cutting it down to a minimum and having the actors double as musicians. After starting out regionally in Great Britain, his version earned a well-received Broadway production in 2005. He took the same approach with a second Sondheim musical, Company, a year later, and this one too came to New York, 11 years after the first Broadway revival of the 1970 show. If anything, the approach works even better than it did with Sweeney Todd. The show has 14 characters, which means that the new orchestrations by Mary-Mitchell Campbell don't have to be that small, but then Company's music doesn't need a big orchestra, mixing as it does pop styles with elements of vaudeville razzmatazz.