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At the dawn of the twentieth century, a great confidence suffused America. Isaac Cline was one of the era's new men, a scientist who believed he knew all there was to know about the motion of clouds and the behavior of storms. The idea that a hurricane could damage the city of Galveston, Texas, where he was based, was to him preposterous, "an absurd delusion." It was 1900, a year when America felt bigger and stronger than ever before. Nothing in nature could hobble the gleaming city of Galveston, then a magical place that seemed destined to become the New York of the Gulf.That August, a strange, prolonged heat wave gripped the nation and killed scores of people in New York and Chicago. Odd things seemed to happen everywhere: A plague of crickets engulfed Waco. The Bering Glacier began to shrink. Rain fell on Galveston with greater intensity than anyone could remember. Far away, in Africa, immense thunderstorms blossomed over the city of Dakar, and great currents of wind converged. A wave of atmospheric turbulence slipped from the coast of western Africa. Most such waves faded quickly. This one did not.In Cuba, America's overconfidence was made all too obvious by the Weather Bureau's obsession with controlling hurricane forecasts, even though Cuba's indigenous weathermen had pioneered hurricane science. As the bureau's forecasters assured the nation that all was calm in the Caribbean, Cuba's own weathermen fretted about ominous signs in the sky. A curious stillness gripped Antigua. Only a few unlucky sea captains discovered that the storm had achieved an intensity no man alive had ever experienced.In Galveston, reassured by Cline's belief that no hurricane could seriously damage the city, there was celebration. Children played in the rising water. Hundreds of people gathered at the beach to marvel at the fantastically tall waves and gorgeous pink sky, until the surf began ripping the city's beloved beachfront apart. Within the next few hours Galveston would endure a hurricane that to this day remains the nation's deadliest natural disaster. In Galveston alone at least 6,000 people, possibly as many as 10,000, would lose their lives, a number far greater than the combined death toll of the Johnstown Flood and 1906 San Francisco Earthquake.And Isaac Cline would experience his own unbearable loss.Meticulously researched and vividly written, Isaac's Storm is based on Cline's own letters, telegrams, and reports, the testimony of scores of survivors, and our latest understanding of the hows and whys of great storms. Ultimately, however, it is the story of what can happen when human arrogance meets nature's last great uncontrollable force. As such, Isaac's Storm carries a warning for our time. Show more Show less #outer_postBodyPS { display: none; } #psGradient { display: none; } #psPlaceHolder { display: none; } #psExpand { display: none; } At the dawn of the twentieth century, a great confidence suffused America. Isaac Cline was one of the era's new men, a scientist who believed he knew all there was to know about the motion of clouds and the behavior of storms. The idea that a hurricane could damage the city of Galveston, Texas, where he was based, was to him preposterous, "an absurd delusion." It was 1900, a year when America felt bigger and stronger than ever before. Nothing in nature could hobble the gleaming city of Galveston, then a magical place that seemed destined to become the New York of the Gulf.That August, a strange, prolonged heat wave gripped the nation and killed scores of people in New York and Chicago. Odd things seemed to happen everywhere: A plague of crickets engulfed Waco. The Bering Glacier began to shrink. Rain fell on Galveston with greater intensity than anyone could remember. Far away, in Africa, immense thunderstorms blossomed over the city of Dakar, and great currents of wind converged. A wave of atmospheric turbulence slipped from the coast of western Africa. Most such waves faded quickly. This one did not.In Cuba, America's overconfidence was made all too obvious by the Weather Bureau's obsession with controlling hurricane forecasts, even though Cuba's indigenous weathermen had pioneered hurricane science. As the bureau's forecasters assured the nation that all was calm in the Caribbean, Cuba's own weathermen fretted about ominous signs in the sky. A curious stillness gripped Antigua. Only a few unlucky sea captains discovered that the storm had achieved an intensity no man alive had ever experienced.In Galveston, reassured by Cline's belief that no hurricane could seriously damage the city, there was celebration. Children played in the rising water. Hundreds of people gathered at the beach to marvel at the fantastically tall waves and gorgeous pink sky, until the surf began ripping the city's beloved beachfront apart. Within the next few hours Galveston would endure a hurricane that to this day remains the nation's deadliest natural disaster. In Galveston alone at least 6,000 people, possibly as many as 10,000, would lose their lives, a number far greater than the combined death toll of the Johnstown Flood and 1906 San Francisco Earthquake.And Isaac Cline would experience his own unbearable loss.Meticulously researched and vividly written, Isaac's Storm is based on Cline's own letters, telegrams, and reports, the testimony of scores of survivors, and our latest understanding of the hows and whys of great storms. Ultimately, however, it is the story of what can happen when human arrogance meets nature's last great uncontrollable force. As such, Isaac's Storm carries a warning for our time.



About the Author

Erik Larson

Erik Larson is the author of nine books and one audio-only novella. His latest book, The Demon of Unrest, is a non-fiction thriller about the five months between Lincoln's election and the start of the Civil War. Six of his books became New York Times bestsellers. Two of these, The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz and Dead Wake: The Last Crossing of the Lusitania, both hit no. 1 on the list soon after launch. His chronicle of the Chicago World's Fair of 1893, The Devil in the White City, was a finalist for the National Book Award, and won an Edgar Award for fact-crime writing. It lingered on various Times bestseller lists for the better part of a decade and is currently in development at Disney Studios. Erik's In the Garden of Beasts, about how America's first ambassador to Nazi Germany and his daughter experienced the rising terror of Hitler's rule, is currently in development with StudioCanal and Playtone. Erik's first book of narrative nonfiction, Isaac's Storm, about the giant hurricane that destroyed Galveston, Texas, in 1900, won the American Meteorology Society's prestigious Louis J. Battan Author's Award. The Washington Post called it the "Jaws of hurricane yarns. " Erik is particularly pleased to have won the Chicago Public Library Foundation's 2016 Carl Sandburg Literary Award for Non-Fiction. His audio novella, No One Goes Alone, while a work of fiction, is a ghost story based on real-life events and characters, including famed 19th-century psychologist William James. Erik refers to it as a ghost story with footnotes. He graduated summa cum laude from the University of Pennsylvania, where he studied Russian history, language and culture; he received a masters in journalism from Columbia University. After a brief stint at the Bucks County Courier Times, Erik became a staff writer for The Wall Street Journal, and later a contributing writer for Time Magazine. His magazine stories have appeared in The New Yorker, The Atlantic Monthly, Harper's, and other publications. He has taught non-fiction writing at San Francisco State, the Johns Hopkins Writing Seminars, the University of Oregon, and the Chuckanut Writers Conference in Bellingham, Wash., and has spoken to audiences from coast to coast. A former resident of Seattle, he now lives in Manhattan with his wife, a neonatologist, who is also the author of the nonfiction memoir, Almost Home, which, as Erik puts it, "could make a stone cry." They have three daughters in far-flung locations and professions. Their beloved dog Molly resides in an urn on a shelf overlooking Central Park, where they like to think she now spends most of her time.



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