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ROD STEWART Another Country, the new collection of original songs from the two-time Rock and Roll Hall of Fame inductee and Grammy Living Legend, is a double landmark for the artist and his fans. It not only represents a concentrated burst of songwriting activity which is unprecedented in his five-decade career, it s also a continuation of his songwriting rediscovery - a gift that returned to Stewart after a nearly two decade long absence with his best-selling album Time and continues through into Another Country.In describing Rod Stewart s singular ability as a singer and songwriter, Rolling Stone said, Rarely has a singer had as full and unique a talent as Rod Stewart - a writer who offers profound lyricism and fabulous self-deprecating humor, teller of tall tales and honest heartbreaker, he has an unmatched eye for the tiny details around which lives turn, shatter, and reform - and a voice to make those details indelible. On Another Country Rod once again embraces those touchstones, bringing the modern insight of a man who s loved, sometimes lost, and definitely lived to a collection of songs delivered with his timeless, soulful and instantly recognizable voice. The collection includes folk tinged heart on your sleeve' ballads like Love Is, mandolin-spangled, guitar-driven classics like Please, and Way Back Home, the classic fist-pumping anthem We Can Win, as well songs which channel sex, swagger and rhythm and blues.
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"I suppose you could use the word 'addiction,'" says Rod Stewart, explaining his relationship to the classic pop standards of his "Great American Songbook" series. "I'm totally addicted to these songs. They're just so great to sing—if you fancy yourself even a bit of a singer, these songs are like chocolate."So once again, Stewart has returned to the territory that has defined the last decade of his remarkable career. With FLY ME TO THE MOON…THE GREAT AMERICAN SONGBOOK: VOLUME V, he adds a fifth chapter to the chart-topping, multi-platinum, Grammy Award-winning series. On the new album—produced by Richard Perry and co-produced by Rod Stewart, Clive Davis and Lauren Wild - Rod Stewart infuses his incomparable vocal style into 12 iconic standards written by Cole Porter, Johnny Mercer, Henry Mancini, and many others. The immortal compositions on the set include “That Old Black Magic," “Beyond the Sea,” “What a Difference a Day Makes,” "I’ve Got You Under My Skin,” “I Get A Kick Out of You,” and many more.Rock and Roll Hall of Famer and Grammy™ Living Legend Rod Stewart has been lauded as having one of the most distinctive voices in pop music. The success of the "Great American Songbook" albums, which began in 2001 with It Had to Be You..., is truly unprecedented; it is the biggest selling ongoing series of new music recordings in history, with over seventeen million copies sold worldwide.FLY ME TO THE MOON…, which reunites Stewart with longtime collaborators Richard Perry and Clive Davis, is the first addition to the collection since 2005's Thanks for the Memory…The Great American Songbook: Volume IV. During the five-year break between "Songbook" albums, Stewart took a couple of genre detours—in 2006, he released Still the Same…Great Rock Classics of our Time, his first rock album in eight years, which entered the Billboard album chart at Number One and followed that with Soulbook, a 2009 collection of classic Sixties/Seventies-era soul favorites, which debuted at Number Four.But as soon as he left the world of the "Songbooks," Stewart started missing the material. "I was sad after we finished the fourth one, but then we went and did the rock album," he says. "As soon as that was done, Richard and I started meddling in, making lists of new songs, laying down some tracks. We were going to bring this one out instead of the Soulbook album, but Clive said, rightly, that we should wait, that the time wasn't quite right."For the fifth outing, though, Stewart opted for a slightly new direction and sound. "Richard and I decided that we wanted to go more up-tempo this time," he says. "Clive described the previous records as being kind of 'Fred and Ginger'—which was great, but I wanted to break the mold a bit. I was ge
